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Content Warning: This section of the guide includes discussion of sexual content, emotional abuse, death, and cursing.
Psyche is one of the daughters of Demeter. She is also Persephone Dimitriou’s younger sister. A fashion and lifestyle influencer, Psyche dislikes the power structure and elitism in Olympian society and uses her platform to counter its anti-fat bias and the exclusion that she experiences because of her body shape. She advances this cause by working with designers and promoting their inclusive sizing.
Psyche is a keen observer of human nature; at the beginning of the novel, for example, she senses that her mother is trying to promote a marriage between her and Zeus. At the same party, she realizes that Eris Kasios has intentionally distracted her mother so that Psyche herself can escape a matchmaking session. She soon turns these observational skills to Eros when she finds him injured on his way to the same party, and she also realizes that she is attracted to him despite his fearsome and well-earned reputation as a killer and manipulator. Throughout the novel, Psyche uses her acute analytical mind to evaluate the challenges of her marriage of convenience, concerned that acceding to sexual intimacy will give Eros power over her.
Part of Psyche’s doubts stem from her experiences with fatphobia. As she reflects, “I’ve fought so incredibly hard to love my body” (89). Eros’s obvious arousal when he first sees her naked dispels some of her concerns, and after their wedding, Psyche accepts that the “naked hunger on his face” is genuine, not artifice (179). Ultimately, Eros’s fervent insistence that he wants her as she is dispels her lingering insecurities, which stem from living as a fat woman in a society that demeans her. This internal shift highlights the importance of embracing Self-Acceptance as a Source of Power.
Psyche also soon realizes that her career as an influencer will help her and Eros craft a useful narrative of forbidden romance, which will make it more costly for Aphrodite to oppose them. This effort deepens her bond with Eros, and she comes to realize that much of his cruelty and coldness was due to his mother’s intense manipulation throughout his life. She regrets assuming that the opulence of his apartment proved him to be shallow and selfish, “the playboy millionaire with more money than taste” (220). As a peace offering, Psyche tells him of her own skillful use of the media to drive a wedge between the previous Zeus and Ares, and her admission suggests that she and Eros have learned to manipulate in order to survive their ruthless society. Psyche lets Eros see both the vulnerability and the calculation that her public persona does not reveal. As Psyche struggles to navigate The Tension Between Public Image and Private Identity, her romance with Eros increasingly sees her choose authenticity over artifice.
Psyche ultimately chooses her marriage over her mother’s vision for her future, not only by marrying Eros but also by refusing Demeter’s help in her quest to neutralize Aphrodite. She stages an opportunity for Aphrodite to kill her and films the woman’s declaration of intent, knowing that the public outcry against this incident will prevent Eros from having to kill his mother. When Psyche chooses to protect Eros just as she would protect her mother or sisters, her action demonstrates that she has come to regard her marriage of convenience as a true and loving partnership. Psyche’s journey of self-acceptance includes deciding that Eros is worthy of her love and that she deserves a partner who challenges and respects her. She commits to challenging her mother’s preferences in order to ensure her own happiness.
As the son of Aphrodite, Eros has grown up in the Olympian elite and now works as his mother’s fixer, a role that requires him to function as both a bodyguard and a hired killer in accordance with her mercurial demands. At the beginning of the novel, Eros has just carried out a murder at his mother’s command and has sustained an injury. He is both furious and dismayed when he and Psyche are photographed together after she bandages his wounds. His consternation deepens when his mother orders him to murder Psyche, as he feels that it is “shitty to reward [Psyche’s] kindness by ending her life” (27).
Though he initially assures Psyche that he will make her death painless, Eros soon goes against his training and proposes that they marry instead, telling her that she can trust his word. Eros soon becomes protective of Psyche in a more than practical sense, especially when he is tempted to kill all the anonymous trolls who make fatphobic comments on her social media posts. He purchases her an expensive wedding gown and ensures that the ceremony suits her aesthetic, resolving to create an event that will have a positive impact on her public image. Eros recognizes that public perception is important in Olympus, and his concern for Psyche’s image presages his genuine love for her in their private life.
For Eros, sexual desire and expression are part of how he accesses emotions that he otherwise finds difficult to express. He confesses to Psyche that he fantasizes about sex between them without a condom, reflecting, “I want this woman too desperately to do this properly” (208). Eros hopes that with sex, he can help convince Psyche to stay in their relationship. His private motivations demonstrate that he is falling in love with her but does not see himself as worthy of her. Psyche eventually challenges him to face himself in his penthouse mirrors and see himself through her eyes. This vulnerable scene suggests that she wants to give him the same sense of confidence that he has given her.
Throughout the text, Eros is acutely aware of the difference between his family background and Psyche’s. He is shocked that Demeter displays warm family photos of her children, and he takes her threats seriously when she vows to destroy him if he hurts Psyche. At the same time, he comes to realize that his own upbringing was deeply unhappy, and he realizes that he only began killing because his mother begged him for his help. Eros’s choice to love Psyche and accept that she loves him in return is ultimately a choice to accept a new vision of family and what it means to care for others. In the Epilogue, he is deeply anxious about his first family dinner with Demeter, knowing that his marriage’s success depends on Psyche’s ability to spend time with both him and her family of origin. Eros’s choice to pursue this kind of connection despite his fear shows that through loving Psyche, he now realizes that intimacy is not synonymous with weakness.
As Psyche’s older sister, Persephone is one of the protagonists of Neon Gods, which features her flight to the lower city and her eventual romantic relationship with Hades. Persephone and Psyche share a close and loving bond, and Persephone is fiercely loyal to her sister. Persephone is stunned and upset when Psyche announces her hasty marriage to Eros, but she promises to attend the wedding, saying, “You gave me the time and trust I needed to figure things out. It’d be hypocritical in the extreme not to support you” (107).
Persephone is much colder with Eros, however, threatening him with serious injury if he proves untrustworthy. Persephone is similarly stalwart when Psyche tries to enlist the aid of the other Thirteen to stop Aphrodite, promising that Hades will back her efforts. In this novel, the relationship between the sisters demonstrates that Psyche has the courage to fight Aphrodite and marry Eros because her family’s unwavering loyalty has given her a firm sense of her own worth.
Eros’s mother, Aphrodite, resembles her mythological counterpart in many ways and is largely responsible for the high-profile marriages in Olympus. She is scheming and jealous, openly targeting any rivals for public popularity or physical beauty. Eros is acutely aware that Aphrodite dislikes Demeter and resents the fact that her efforts to normalize fatphobia have not prevented Psyche from attaining fame and popularity. Aphrodite is furious when Eros marries Psyche, insisting, “On occasion, it’s a mother’s role to save their children from themselves” (250). Throughout the novel, she remains resolved to murder Psyche. When Eros begs for her to stop her campaign, Aphrodite tells him that she is only preventing Psyche from rejecting him, stating, “The moment that woman realizes what you’re truly capable of, she’ll turn from you” (267). With this cutting example of emotional abuse, Aphrodite both infantilizes Eros and manipulates him, desperate to convince him that only she can give him love and acceptance. Eros’s decision to turn away from her indicates that he has rejected this negative view of himself, and he ultimately decides that he can pursue a life on his own terms and find authentic and loving relationships, even if he cannot change the crimes of his past.
Demeter is a member of the Thirteen (Olympus’s ruling oligarchy, which mimics the ancient Greek pantheon). Like her mythological counterpart, Demeter is primarily responsible for the agricultural sector and food procurement. She is intensely ambitious and is fully willing to marry off her daughters in order to advance her own career. In Electric Idol, she continues her quest to have one of her daughters become Zeus’s spouse despite their protestations. Psyche accepts that her mother is no less calculating than Aphrodite is, realizing that she and Eros both have experience with managing their family members’ strong personalities.
Demeter is nevertheless fond of her daughters and appreciative of their talents. She tells Psyche, “I trust that you have a reason for doing this” (161). Demeter’s acceptance of Psyche’s relationship and her choice to display the couple’s wedding photo demonstrate that she accepts Eros’s importance in Psyche’s life. Eros is touched by the gesture and takes it as encouragement that his future with Psyche is guaranteed.
Perseus is the son of the prior Zeus, as the title is hereditary. When the novel opens, he has held the title of Zeus for only a few months, and his relative inexperience and unmarried status add a measure of instability to the politics of the Olympian elite. Stern and ambitious, Perseus is impatient with the schemes and manipulations that surround him, telling Eros that he would be punished alongside his mother if he exposed Aphrodite’s scheme to murder Psyche.
The young Zeus is intensely concerned with his family’s reputation, exasperating his sisters when he forbids them to leave the house after Eris causes gossip at the party in the opening chapters. Though he and Eros were childhood friends, Perseus now demands that Eros address him by his title, insisting, “No matter what fondness I held for you before, I’m Zeus now” (306). In future works in the series, he is often torn between his protective instincts as a brother and his political responsibilities to Olympus in the face of mounting external threats.
As the oldest Dimitriou daughter, Callisto is known for her impatience and her ferocious temper, which intimidates even her sisters. Callisto has a deep contempt for the manipulations inherent in Olympian society, and she openly alludes to the possibility of murdering the current Zeus in order to protect her sisters from a political marriage.
In the novel’s final act, when Callisto learns that Psyche is in danger from Aphrodite and that Demeter insists that one of her daughters should marry Zeus and take on the title of Hera, Callisto agrees to marry Zeus herself. This decision indicates that her sibling loyalty is just as strong as her outbursts suggest. Although Psyche longs to protest this marriage, she realizes, “I have to respect her choice, even if I don’t understand it” (355). This moment builds on the theme of family loyalty, as Psyche realizes that she trusts her sister’s judgment and decision to make this sacrifice. In later installments in the series, Callisto appears in her role as Hera, acting as a keen observer with her own agenda. The story of her relationship with Zeus will be the key plot in the ninth book in the series, which is still forthcoming as of 2025.
As Perseus’s younger sister, Helen is an established socialite due to her upbringing and family name. She and Eros are close friends, and she is one of the only people he trusts to witness his wedding to Psyche. Though his feelings for Helen are entirely platonic, Eros reflects that “she’s got the kind of beauty that brings cities to their knees” (106), and this description is a sly reference to the original myth of the Trojan War, in which Helen is widely known as “the face that launched 1,000 ships.” In the world of Robert’s novel, this version of Helen is unquestioningly loyal to Eros, attending his hasty wedding without asking for explanations. She later banishes Orpheus from her party because of his role in harming Psyche’s youngest sister, Eurydice, and she tells Psyche, “You’re practically family at this point and family sticks together” (280).
In the novel’s closing act, Psyche manipulates Helen into providing Aphrodite’s contact information so that she can film and stage their final confrontation. This exchange establishes that love makes Psyche both brave and ruthless, as she plays on Helen’s fear that Eros might harm his mother if she does not help. Helen is the protagonist in Wicked Beauty, which features her growing relationship with Achilles and Patroclus. She also appears in later installments as one of the Thirteen in her own right, having won the Ares title and taken on responsibility for Olympian security.
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