48 pages • 1 hour read
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Content Warning: This section of the guide includes discussion of religious discrimination, graphic violence, bullying, illness and death, and physical abuse.
Henryk gets sick again; this time, Alex thinks it is typhus. For three weeks, Alex tends to him with cold water and rags. Henryk talks in his sleep, and Alex tries to shush him so they are not discovered. Finally, Henryk’s fever breaks. They decide Alex will cross to the Polish side to find Bolek, who will help Henryk leave the ghetto. Henryk makes Alex take money, which proves useful because this time, the doorman at Number 32 demands money to let Alex pass. Alex knows Bolek’s address, but he enjoys the beautiful autumn day first, shopping for groceries and walking in the park. He joins a group of boys playing football (soccer), and he plays goalie, helping them win. He then runs into the homework girl, accidentally knocking her down. They chat; her name is Stashya. Alex asks if they can be friends. She says yes, and they plan to meet next Monday.
Alex finds Bolek’s house. Bolek is astounded to hear Alex’s story. He agrees to help Henryk. Bolek and his wife feed Alex a hot meal and try to convince him to stay with them. Bolek’s wife even offers to let Alex use her nephew’s identity and papers so he can go to school. Alex wants this very much but refuses; he wants to stay at Number 78 in case his father comes. Bolek makes Alex promise to signal for help by placing a piece of wood diagonally in the fourth-floor window. Bolek also warns him the ghetto will be opened to the Polish people “sooner or later” (129). On the way to Number 32, Bolek hears from a woman that German police found a Jewish family that the landlord was hiding. The woman is angry that this landlord endangered her and others living there, and she uses a slur for Jewish people. Alex helps Henryk to Number 32. Before Henryk leaves, he gives Alex more money.
Alex returns to the park after the first snow of the year. The boys accept him into their game again, this time a snowball fight, and he is a captain. His new friend Wlodek is the other captain. As he returns home, he knows he will cry; sure enough, he sobs back in the larder. He stays in the hideout until Monday when he returns to meet with Stashya. Wlodek tries to tease Alex, “Your girlfriend?” (134), and Alex feels anger build, but he talks himself down and agrees that she is. After that, Wlodek sticks up for Alex, and Alex spends the rest of the time with Stashya. Unable to lie to her, Alex soon reveals he is Jewish. He is afraid until Stashya reveals she is Jewish too. They plan another Monday date, and Alex asks her to sit in the window when possible.
Alex waits a week to return to the Polish side, thinking up systems by which he and Stashya can communicate without a telephone. He plans to ask her to use a Morse-Code-style system of moving her arms to the left or right for dots and dashes. He thinks about opening and closing the air vent in the same manner but knows he cannot do this too much. On Monday, he discovers the Number 32 doorman raised his fee to pass from the ghetto. Alex has plenty of money from Henryk. He decides to ice skate in the park and convinces Stashya to try it as well. He pays to rent blades, and they allow the rental man to drill fine holes in their shoes to fit the blades. Alex used to come to this rink, so he knows how to help Stashya learn with a chair. She also holds onto him. They laugh when they fall together. He hears one of his gang of friends say, “They’re like a real married couple” (144).
Alex is filled with happiness. On the way back to Stashya’s, though, Yanek begins to follow them. Stashya departs quickly. Alex keeps up his pretense as a boy who just moved there when Yanek accosts him, but Yanek calls him a slur for Jewish boys, and Alex fears he will tell authorities. Alex punches Yanek in the gut and then the face just like his father taught him; then, he goes back to the ghetto. He knows he will be unable to return to the Polish side.
Stashya sends messages in the code Alex suggested. She says she loves him, and when she asks if he loves her, he signals yes. She tries to arrange a next meeting, but he knows it is too dangerous; soon, she lets Alex know that Yanek told everyone Alex was Jewish. Yanek blamed his injuries on two Jewish boys who beat him. Alex tells Stashya the truth. She says she is crying because she cannot see him again; he admits he is crying too.
Just before Christmas, the Germans tear down the ghetto wall and open the buildings for the Polish people to use. This means Alex must stay put in Number 78 and that Stashya can no longer signal because new inhabitants of Bird Street would see. Alex grows more desperate: Now he cannot use passageways to the other buildings, the heavy snow threatens to collapse the fourth floor onto him, he is running low on food, and the Polish children, new to the neighborhood, start coming into the ruins. He must keep very still; he is painfully lonely.
Bolek visits with treats for Alex on New Year’s Day, but Alex still refuses to go with him, too afraid to miss his father. Days later, Stashya visits. Her family is leaving for the country. They try to plot ways to find one another after the war and agree to try the Red Cross as well as meet at Number 78 on the first New Year’s Day after the war ends. They kiss. When Stashya leaves the next morning, both she and her mother wave from the street. Alex finds it very strange that the street shows no sign that the ghetto was there.
Alex realizes he will run out of food and kerosene before winter ends. One day, as he is closed up in the larder, bricks and roof fall from above and punch a new hole into the basement. Police come and brick over the entrance to the house; at least Alex is rid of the Polish children. He ventures down to his old cellar. Two men enter the ruins. Alex hides in the last storage room. He is amazed to hear a voice like his father’s. He is almost too afraid to leave his hiding place, but when the man talks as if his son is dead and that coming to the building is “like visiting a cemetery” (159), Alex goes to him. They greet each other, shocked. They embrace and weep.
Alex shows his father and friend his hideout and tells his story. They are amazed. His father hugs him when he hears that Alex shot the German soldier. He says the pistol can belong to Alex now. His father and the friend planned to meet someone named Bolek and then return to the forest with the partisans. Alex places a board in the window diagonally so that his father can rendezvous with Bolek there in his hideout.
Discoveries, complications, and juxtaposition complete the rising action of the novel. Unlike Alex’s first trip to the far side of the ghetto wall to fetch the doctor, his subsequent trips are marked by thrilling discoveries as he takes on the guise of a Polish boy new to the neighborhood, rather than an isolated, hiding Jewish boy Longing for Connection. Playing soccer, snowball fights, the sensory imagery of the park, and the taste of a fresh roll each strike Alex as a newly discovered experience because it has been so long since Alex enjoyed these simple pleasures. He also discovers love for the first time in his relationship with Stashya, which sparks hope for life after the war. These discoveries boost Alex’s spirit and allow him to feel joy, anticipation, and optimism. They also raise the stakes; he feels life is more worth living while making these trips, but tension increases with the growing risk each time he leaves Bird Street.
Concerning complications, Alex encounters a significant obstacle when the bully Yanek accuses him of being Jewish. Alex defeats and escapes Yanek, but Yanek’s accusation complicates Alex’s life in that he feels too unsafe to venture past the wall again. Next, the Germans’ decision to open the ghetto as free reign for the Polish people complicates Alex’s life even more. Now, he no longer feels safe, even leaving Number 78’s third floor. The strong juxtaposition regarding his freedom, which first increased greatly in his trips beyond the wall, now swings in the opposite direction as his movement and experiences are completely curtailed.
As these complications serve to eliminate the tremendous joy and hope Alex felt in the presence of Stashya and his friends, Alex now reaches his lowest point emotionally and spiritually. He fears running out of food and kerosene; no lucky breaks come his way. In the battle of The Opposing Forces of Fear and Luck, fear begins to take a steady lead. After fighting to stay alive and safe for months, his dispirited attitude shows how close he is to giving up. The author symbolizes this at the moment he sees the absence of the wall behind Bird Street; ironically, the opening of the ghetto is a symbol of the elimination of Jewish presence there, and it feels like only a matter of time before he is caught. The Polish people’s freedom to move about the ghetto taking over property juxtaposes with Alex’s inability to take any action at all. These complications and juxtapositions prime the flow of the narrative as it approaches the climactic moments when “strangers” enter the ruins where Alex hides.
Alex’s coming-of-age is apparent in these final chapters even before those “strangers” enter and turn out to be his father and a friend. Alex grows mentally and emotionally from a young boy focused on hiding in a cellar with no second exit to a young man with a greater grasp of his Resourcefulness and Ingenuity for Survival, goals, and capabilities. Through a variety of actions, his maturity surfaces: He shows empathy and caretaking skills throughout the three weeks of Henryk’s typhus. His obligatory insistence on waiting for his father despite Bolek’s appealing offer to live with him and go to school shows his sense of duty and loyalty along with hope. His sincere, innocent love for Stashya shows his awakening interest in romance and looking to the future. His careful planning for trips beyond the wall shows cleverness and caution, while his intuitive knowledge that his trips must end shows wisdom and prudence beyond his years. His sense of humor has deepened and matured as well, and he takes on an older, slightly cynical, more ironic tone compared to his youthful chatter when he says, “Henryk didn’t just look like a Jew; he looked like a Jew to end all Jews” and “I don’t need any [money]. The shopping on our side of the wall still isn’t so good” (121, 130). Like the discoveries, complications, and juxtapositions in the plot, these direct and indirect character actions and reactions in Alex prime the narrative for the final moments when he reunites with his father. As the novel ends, the author cements Alex’s many achievements in resourcefulness that collectively symbolizes his ability not only to survive but grow on his own.
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